Iceman (2014) 1080p YIFY Movie

Iceman (2014) 1080p

An imperial guard and his three traitorous childhood friends ordered to hunt him down get accidentally buried and kept frozen in time. 400 years later passes and they are defrosted continuing the battle they left behind.

IMDB: 4.82 Likes

  • Genre: Action | Comedy
  • Quality: 1080p
  • Size: 1.67G
  • Resolution: 1920*1080 / 23.976 fpsfps
  • Language: English
  • Run Time: 103
  • IMDB Rating: 4.8/10 
  • MPR: Normal
  • Peers/Seeds: 87 / 408

The Synopsis for Iceman (2014) 1080p

During the Ming Dynasty four orphans; Ying, Sao, Yuanlong and Niehu are raised in Taoyuan Village and become close to being brothers. Their exceptional martial arts skills allows them to reach the highest rank within the imperial guards. After a successful attempt to kill a Japanese troop leader, the Emperor orders Ying to escort the Golden Wheel of Time from Sindu back to the capital, which is said to have the power of time travel and foresee into the future. From the correspondence between Japanese and Ming officials seized from the mission, Mr. Tu - the Chief of National Defence - reveals that he can identify the traitor by the handwritings. On the way of escorting the Golden Wheel of Time in the snow, Ying is surprisingly confronted by Sao, Yuanlong and Niehu. They inform Ying the news of the murder of Tu's family with Ying as the killer. The Emperor believes that Ying killed Tu in order to conceal his identity as the traitor, and orders to have Ying and his clan killed. With the ...

The Director and Players for Iceman (2014) 1080p

[Director]Wing-cheong Law
[Role:]Donnie Yen
[Role:]Shengyi Huang
[Role:]Baoqiang Wang

The Reviews for Iceman (2014) 1080p

Not dull, but too muddled for its own goodReviewed byWizard-8Vote: 3/10

I suspect that the makers of this movie were inspired not only by the 1984 Hollywood movie "Iceman" (not just by the title), but also the 1984 Hollywood movie "Ghost Warrior", which also involved an ancient Asian warrior frozen and thawed in modern times. Well, come to think of it, the core ideas of those movies had been done before many time in other movies and media, so it doesn't seem fair to just point a plagiarism finger at the makers of this movie. As for this retelling of the formula, it does have some merit. It looks pretty well produced, and there are some exciting action sequences here and there, particularly the climatic sequence. However, the movie can't decide whether it's a comic telling or a serious telling of the formula - it keeps wavering back and forth between the two extremes, and the Asian style of humor may bewilder western audiences not familiar with this style. But the real problem with the movie is that it is EXTREMELY confusing. There is very often a lack of explanation as to what is going on and why. It seems like key scenes and linking footage are missing or were never filmed in the first place, even though the movie as it is is 104 minutes long. Although the movie is never boring, the narrative is so confusing that in short notice you stop caring about the characters and the story. Too bad.

Unless a key to a time-traveling device made up of a deity's enormous penis or Donnie Yen's peeing like a water cannon is entertainment, this 'Iceman' will freeze you overReviewed bymoviexclusiveVote: 4/10

Let us begin by setting the record straight. We are big Donnie Yen fans. Even before he became a household name with 'Ip Man', we admired the kung fu star for his uniquely thrilling moves in 'SPL'. Still, even his most loyal fans will probably be wondering just why he has appeared in one bad movie after another in recent times. Indeed, his last good one was Peter Chan's 'Wu Xia' back in 2012; since then, 'Together', 'Special ID' and 'The Monkey King' have not only been bad movies, at least the first two have approached the point of being unwatchable, which is something we'd thought we'd never say about a Donnie Yen film.

'Iceman' could very well have been that turning point in Yen's string of duds. Its source material was Clarence Fok's 1989 martial arts fantasy 'The Iceman Cometh', an entertaining blend of action, comedy, romance and period drama starring Yuen Biao, Maggie Cheung and Yuen Wah. Its budget is an eye-popping HK$200 million dollars. And even before its release, there has been much hype about a climactic sequence set on Hong Kong's iconic Tsing Ma Bridge which cost an additional HK$50 million dollars to film because the authorities wouldn't give the filmmakers permission to do so on location. In essence, this Captain America of the East was supposed to be big-budget action blockbuster spectacle, weighty enough to warrant a two-parter release not unlike 'Red Cliff'.

Yet after all that hype, 'Iceman' is worse than 'The Monkey King' and almost as bad as 'Special ID'. Much of that has to do with the tonally incoherent plot by Lam Fung which manages to be overplotted and dramatically undernourished at the same time. Working upon the original's concept of a Ming Dynasty warrior who awakens 400 years later to find himself in modern-day Hong Kong and continue a feud that began as far back, Lam throws in multiple subplots criss-crossing present and past. There is Yen's search for a time-travelling Golden Wheel of Time that is operated by a key called the Linga. There is a corrupt Police Commissioner (Simon Yam) bent on recovering Yen and his fellow frozen guards to apparently sell them to the North Koreans. And last but not least, there is Yen's budding romance with a nightclub hostess (Eva Huang), who is caring for her sickly mother in an expensive old folks' home.

The combination of so many disparate parts makes for an extremely disjointed whole, and it doesn't help that director Law Wing Cheong seems entirely overwhelmed at maintaining some semblance of coherence. His storytelling lurches backwards and forwards across time with little narrative flow or momentum - and what makes it worse is just how tonally jarring the shifts are, from comedy to romance to period fantasy and then to surprisingly graphic action. Law also seems to have gone way out of his league from the Johnnie To-like rom-coms ('2 Become 1' and 'Hooked on You') and crime dramas ('Punished') to large-scale blockbuster territory - notwithstanding his little-seen 'The Wrath of Vajra' last year - and simply lost his footing even on the very basic level of staging a compelling enough sequence.

The same could be said of lead star and action director Donnie Yen. Even when everything else was a letdown, the very marquee name of Yen promised that at least the action would not disappoint; alas not even in that regard does 'Iceman' count for anything. Save for the much touted finale on the Tsing Ma bridge, the rest of the action sequences here seem almost like an afterthought, too reliant on the kind of unrealistic wirework that B-grade properties oft relied on. And when we finally end up on the bridge, Yen becomes too obsessed with making this a 3D movie by hurling all sorts of weaponry towards his audience that it just becomes too gimmicky to take seriously. It is scant compensation for the seemingly interminable one half hour wait, and ultimately disappointing because neither Wang Baoqiang nor Kang Yu as his nemeses are anywhere near close to being Yen's worthy on screen opponents.

There are occasional pleasures though, and these often occur at times when the movie simply refuses to take itself seriously. We're not denying that these slapstick moments will be utterly cringe-worthy to many, but hey we take what we can get. For instance, we laughed when Yen first bursts out of his cryogenic tomb and then releases his urine like a water cannon. Ditto for his favourite catchphrase literally translated as 'your mother's breasts' in Chinese. Or how about when Wang and Yu start learning words like 'chicken curry spaghetti' from a gang of Indian grifters after saving them from the cops? There are also other fish-out-of-water comedic moments that border or belong in cheese, but that's the only kind of entertainment you're going to get out of 'Iceman'.

If you're going to try to enjoy 'Iceman' therefore, it's important to set your expectations just right. Don't go in expecting the kind of popcorn blockbuster that 'Captain America' ever was, for Chinese cinema has yet to produce a modern-day superhero movie that didn't suck (think Benny Chan's 'City Under Siege'). Don't go in expecting the kind of good old-fashioned martial arts action Donnie Yen presented in 'Ip Man' or the kind of gritty MMA fighting in 'SPL' or 'Special ID', for there is nothing but a gimmicky 3D sequence right at the end that matters at all. And don't go in expecting this to be any better than Yen's recent batch of movies, for this is just one more in a bad streak that we hope will be frozen forever in time.

Overstuffed FantasyReviewed by3xHCCHVote: 5/10

I have been a Donnie Yen fan every since I saw him in the first Ip Man film. Now every time I see a Donnie Yen film shown locally (which is not often), I try to catch it. Last year, he shifted his fighting style from elegant Wing Chun to gritty MMA in the film called "Special ID". This year, Yen turns to fantasy fighting in "Iceman".

Mainly "Iceman" was about a group of four friends who are high officials in the Imperial Guards during the Ming Dynasty. Three of them frame He Ying with conspiring with Japanese pirates, leading to his execution. As he tries to escape, he gets caught in an avalanche, gets cryogenically preserved, only to wake up in present day Hong Kong. Two of his traitor "friends" also wake up with him to continue their 400 year old fight.

He Wing is a kind and helpful guy, especially to the girl who took him in, May. He even helps May with her invalid mother currently in a nursing home. He Wing is also on some sort of quest, searching for the key to the so-called Golden Wheel of Time, an ancient time machine of sorts. Furthermore there is a group of corrupt cops who are after the three frozen Ming guys to sell to a North Korean buyer. All these plot lines could not really be settled in one film, as the ending obviously pointed towards a sequel.

Acting is cheesy. The comedy is lowbrow, slapstick with jokes about various body functions. The best parts of the film are still the fight scenes, even if the style was old-fashioned with a lot of obvious wire work. The climactic fight scene is the awesome three-way in the middle of a suspension bridge, with chains vs. sword vs. battle axe. Exciting stuff, though it went a bit overboard with its length.

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